The other new feature of the Z fc is the ability for it to accept firmware updates from a smartphone. It's a USB 3.2 Gen 1 'Superspeed' (aka USB 3.0) interface which should mean it's significantly faster at data transfer than the Z50's sockets is. Below it is a mic input socket, but there's no way to attach headphones to monitor the captured audio.Īlso aiding on-the-go photographers, the Z fc has a USB-C socket on its side which can be used to power the camera, as well as to charge the battery. The Z fc's USB C socket lets you charge the battery or directly power the camera. This means that it can be rotated all the way forward for vlogging (working nicely in conjunction with the video Eye AF function), and also means the screen can be folded in to face the back of the camera, to protect the LCD panel when traveling. The Z fc is the first Z-mount camera to feature a fully articulating rear LCD. The Z50 and Z fc likely share the same 'Expeed 6' processor, so these functions could probably be added to the older model via firmware, but Nikon may choose to maintain a distinction between the two. When shooting stills, it also includes focus modes that combine face and eye AF with a large focus zone, letting you take more control over where the camera looks for a subject (on the Z50 face/eye AF is only available in the all-area 'Auto' AF mode, meaning the camera chooses a human subject for you if there is more than one person in the frame). Unlike the Z50, the Z fc offers Nikon's full-time 'Eye Autofocus' mode while shooting video. The camera is designed to evoke Nikon's FM and FE-series SLRs but is also likely to be reminiscent of some of Fujifilm's digital cameras that reference the same era of SLR design, as well as Nikon's own Df DSLR from 2013.īut despite the classic looks, the Z fc is a modern camera at heart, offering a few features that should ensure it's seen as more than just a prettified Z50. The main thing that's new in the Z fc is its retro styling and control system based on dedicated control dials. What's new | How it compares | Body and controls | Handling impressionsĪutofocus | Image quality | Video | Conclusion | Scoring Pink, Mint Green, White, Grey, Amber Brown and Sand Beige versions will cost $100 more than the regular model and, in North America at least, will only be sold through Nikon's web store. The Z fc will primarily be sold in silver with black leatherette patches, but six versions with colored grip material will also be available in limited quantities. The Z fc is priced at $960 body-only, $1100 with a silver version of the 16-50mm F3.5-6.3 VR zoom and $1200 with the retro-looking 28mm F2.8 (SE) prime lens. Manual ISO, shutter speed and exposure compensation dials.Fully articulating 1.04M-dot rear touchscreen.Oversampled UHD 4K video at up to 30p, using the sensor's full width.Burst shooting up to 11 fps with full AF (9 fps with 14-bit Raw).Nikon says it's aiming the camera at a younger, style-conscious audience. The Z fc is the second crop-sensor Nikon camera to use the company's Z-mount and is built around the same 20.9MP sensor as the Nikon Z50, but it gains dedicated dials for ISO, shutter speed and exposure compensation to go with its throwback styling. The J1 and the V1 no longer make sense for enthusiasts who now have options like Sony’s full-frame A-series cameras or Fujifilm’s well-regarded X-series cameras.Nikon's Z fc is an APS-C mirrorless camera that combines Nikon's new Z lens mount with looks and controls that recall the company's classic FM and FE-series film SLRs. Smartphones have largely pushed camera models to the higher-end of the spectrum, as dedicated cameras have become more of a specialty item or professional tool than a typical consumer electronic. ![]() ![]() The industry looks much different in 2018. And even if you got an F-mount lens attached, the 1-inch sensor applied a 2.7x crop factor, which meant wide angle lenses didn’t look nearly as wide. That small size, however, meant that the bodies weren’t really suited to accommodate Nikon’s massive line of legacy lenses from decades of film cameras and DSLRs-at least not without an adapter. That small chip allowed Nikon’s mirrorless cameras to look like larger compacts. The J1 and the V1 stood out from the already-established competition with its smaller 1-inch sensor (compared to Sony’s APS-C offerings and the Micro Four-Thirds cameras from Panasonic and Olympus available at that time). Nikon first got into the interchangeable-lens, mirrorless camera game back in 2011.
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